Best-selling journalist Antony Loewenstein trav­els across Afghanistan, Pakistan, Haiti, Papua New Guinea, the United States, Britain, Greece, and Australia to witness the reality of disaster capitalism. He discovers how companies such as G4S, Serco, and Halliburton cash in on or­ganized misery in a hidden world of privatized detention centers, militarized private security, aid profiteering, and destructive mining.

Disaster has become big business. Talking to immigrants stuck in limbo in Britain or visiting immigration centers in America, Loewenstein maps the secret networks formed to help cor­porations bleed what profits they can from economic crisis. He debates with Western contractors in Afghanistan, meets the locals in post-earthquake Haiti, and in Greece finds a country at the mercy of vulture profiteers. In Papua New Guinea, he sees a local commu­nity forced to rebel against predatory resource companies and NGOs.

What emerges through Loewenstein’s re­porting is a dark history of multinational corpo­rations that, with the aid of media and political elites, have grown more powerful than national governments. In the twenty-first century, the vulnerable have become the world’s most valu­able commodity. Disaster Capitalism is published by Verso in 2015 and in paperback in January 2017.

Profits_of_doom_cover_350Vulture capitalism has seen the corporation become more powerful than the state, and yet its work is often done by stealth, supported by political and media elites. The result is privatised wars and outsourced detention centres, mining companies pillaging precious land in developing countries and struggling nations invaded by NGOs and the corporate dollar. Best-selling journalist Antony Loewenstein travels to Afghanistan, Pakistan, Haiti, Papua New Guinea and across Australia to witness the reality of this largely hidden world of privatised detention centres, outsourced aid, destructive resource wars and militarized private security. Who is involved and why? Can it be stopped? What are the alternatives in a globalised world? Profits of Doom, published in 2013 and released in an updated edition in 2014, challenges the fundamentals of our unsustainable way of life and the money-making imperatives driving it. It is released in an updated edition in 2014.
forgodssakecover Four Australian thinkers come together to ask and answer the big questions, such as: What is the nature of the universe? Doesn't religion cause most of the conflict in the world? And Where do we find hope?   We are introduced to different belief systems – Judaism, Christianity, Islam – and to the argument that atheism, like organised religion, has its own compelling logic. And we gain insight into the life events that led each author to their current position.   Jane Caro flirted briefly with spiritual belief, inspired by 19th century literary heroines such as Elizabeth Gaskell and the Bronte sisters. Antony Loewenstein is proudly culturally, yet unconventionally, Jewish. Simon Smart is firmly and resolutely a Christian, but one who has had some of his most profound spiritual moments while surfing. Rachel Woodlock grew up in the alternative embrace of Baha'i belief but became entranced by its older parent religion, Islam.   Provocative, informative and passionately argued, For God's Sakepublished in 2013, encourages us to accept religious differences, but to also challenge more vigorously the beliefs that create discord.  
After Zionism, published in 2012 and 2013 with co-editor Ahmed Moor, brings together some of the world s leading thinkers on the Middle East question to dissect the century-long conflict between Zionism and the Palestinians, and to explore possible forms of a one-state solution. Time has run out for the two-state solution because of the unending and permanent Jewish colonization of Palestinian land. Although deep mistrust exists on both sides of the conflict, growing numbers of Palestinians and Israelis, Jews and Arabs are working together to forge a different, unified future. Progressive and realist ideas are at last gaining a foothold in the discourse, while those influenced by the colonial era have been discredited or abandoned. Whatever the political solution may be, Palestinian and Israeli lives are intertwined, enmeshed, irrevocably. This daring and timely collection includes essays by Omar Barghouti, Jonathan Cook, Joseph Dana, Jeremiah Haber, Jeff Halper, Ghada Karmi, Antony Loewenstein, Saree Makdisi, John Mearsheimer, Ahmed Moor, Ilan Pappe, Sara Roy and Phil Weiss.
The 2008 financial crisis opened the door for a bold, progressive social movement. But despite widespread revulsion at economic inequity and political opportunism, after the crash very little has changed. Has the Left failed? What agenda should progressives pursue? And what alternatives do they dare to imagine? Left Turn, published by Melbourne University Press in 2012 and co-edited with Jeff Sparrow, is aimed at the many Australians disillusioned with the political process. It includes passionate and challenging contributions by a diverse range of writers, thinkers and politicians, from Larissa Berendht and Christos Tsiolkas to Guy Rundle and Lee Rhiannon. These essays offer perspectives largely excluded from the mainstream. They offer possibilities for resistance and for a renewed struggle for change.
The Blogging Revolution, released by Melbourne University Press in 2008, is a colourful and revelatory account of bloggers around the globe why live and write under repressive regimes - many of them risking their lives in doing so. Antony Loewenstein's travels take him to private parties in Iran and Egypt, internet cafes in Saudi Arabia and Damascus, to the homes of Cuban dissidents and into newspaper offices in Beijing, where he discovers the ways in which the internet is threatening the ruld of governments. Through first-hand investigations, he reveals the complicity of Western multinationals in assisting the restriction of information in these countries and how bloggers are leading the charge for change. The blogging revolution is a superb examination about the nature of repression in the twenty-first century and the power of brave individuals to overcome it. It was released in an updated edition in 2011, post the Arab revolutions, and an updated Indian print version in 2011.
The best-selling book on the Israel/Palestine conflict, My Israel Question - on Jewish identity, the Zionist lobby, reporting from Palestine and future Middle East directions - was released by Melbourne University Press in 2006. A new, updated edition was released in 2007 (and reprinted again in 2008). The book was short-listed for the 2007 NSW Premier's Literary Award. Another fully updated, third edition was published in 2009. It was released in all e-book formats in 2011. An updated and translated edition was published in Arabic in 2012.

Massive Attack embrace BDS

The cultural boycott of Israel grows strongly with news such as this:

The movement for a cultural boycott of Israel in response to its treatment of the Palestinians, modelled on the boycott of apartheid South Africa, could eclipse decades of disingenuous political charades in engaging western intellectuals, academics and artists. Internationally renowned figures such as Naomi Klein and Ken Loach have supported the call, and now one of Britain’s most successful bands, Massive Attack, is publicly backing the boycott.

“I’ve always felt that it’s the only way forward,” Robert Del Naja, the band’s lead singer, tells me when we meet at the Lazarides gallery in Fitzrovia, London. Del Naja is an artist as well as musician and his face and fingers are speckled with paint. Dozens of his pictures are strewn all over the wooden floorboards, drying. “It’s a system that’s been applied to many countries. It’s a good thing to aim for because it applies the continual pressure that’s needed.”

Musicians have a history of rallying the public to supporting political causes. The global anti-apartheid movement got the fillip it desperately needed when musicians began supporting it. The single “Sun City” by Artists United Against Apartheid in 1985 and the 70th-birthday tribute concert for Nelson Mandela at Wembley in 1988 catapulted the cause into millions of ordinary homes.

“I think musicians have a major role to play,” Del Naja says. “I find the more I get involved, the more the movement becomes something tangible. I remember going to ‘Artists Against Apartheid’ gigs, and ‘Rock Against Racism’ gigs around the same sort of time. Bands like the Clash and the Specials had a lot to do with influencing the minds of the youth in those days.” Those formative experiences are still evident in Massive Attack’s outlook today. A typical gig by the band is a blistering fusion of music with political messages and statistics flashed up on video screens, while the band regularly lends support to humanitarian causes.

Calls for a boycott were first issued five years ago by the Palestinian Campaign for the Academic and Cultural Boycott of Israel, but a series of developments beginning with the Gaza war in winter 2008-2009 have led to rising support for the campaign. After Israel’s deadly raid on the Gaza Freedom Flotilla in May this year, a number of leading artists, including the Pixies, Elvis Costello and Gorillaz, cancelled concerts in Israel. In August, 150 Irish visual artists also pledged not to exhibit in Israel, but it is musicians who have been the most prominent international supporters of the boycott.

Their views are not unanimous, however. Other musicians, from Elton John and Diana Krall (Costello’s wife) to Placebo and John Lydon, have refused to cancel concert dates in Israel. Some have insisted that engagement with Israel is more productive – a stance that Del Naja rejects. “We were asked to play Israel and we refused,” he says. “The question was asked: ‘If you don’t play there, how can you go there and change things?’ I said: ‘Listen, I can’t play in Israel when the Palestinians have no access to the same fundamental benefits that the Israelis do.’ I think the best approach is to boycott a government that seems hell-bent on very destructive policies. And it’s sad, because we’ve met some great people in Israel, and it’s a difficult decision to have to make.”

Beyond the arts world, an increasing number of trade unions, student unions and churches are signing up to the Boycott, Divestment and Sanctions (BDS) movement. Even an Israel-based group, Boycott from Within, backs the campaign, stating that its government’s “political agenda will change only when the price of continuing the status quo becomes too high . . . because the current levels of apathy in our society render this move necessary”.

“We are not going to achieve a quick lib­eration,” Del Naja concedes, but says the point is to apply “pressure, the continual pressure that’s needed”. And the threat of international isolation and economic repercussions is clearly starting to bite: Israel’s parliament, the Knesset, recently passed the first reading of a bill that would impose heavy fines on Israeli citizens who initiate or support boycotts against Israel, and a bill to bar foreigners – like Del Naja – who do the same from entering Israel for ten years.

“The boycott is not an action of aggression towards the Israeli people,” he says. “It’s towards the government and its policies. Everyone needs to be reminded of this because it’s very easy to be accused of being anti-Semitic, and that’s not what this is about.”

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