Profits_of_doom_cover_350Vulture capitalism has seen the corporation become more powerful than the state, and yet its work is often done by stealth, supported by political and media elites. The result is privatised wars and outsourced detention centres, mining companies pillaging precious land in developing countries and struggling nations invaded by NGOs and the corporate dollar. Best-selling journalist Antony Loewenstein travels to Afghanistan, Pakistan, Haiti, Papua New Guinea and across Australia to witness the reality of this largely hidden world of privatised detention centres, outsourced aid, destructive resource wars and militarized private security. Who is involved and why? Can it be stopped? What are the alternatives in a globalised world? Profits of Doom, published in 2013 and released in an updated edition in 2014, challenges the fundamentals of our unsustainable way of life and the money-making imperatives driving it. It is released in an updated edition in 2014.
forgodssakecover Four Australian thinkers come together to ask and answer the big questions, such as: What is the nature of the universe? Doesn't religion cause most of the conflict in the world? And Where do we find hope?   We are introduced to different belief systems – Judaism, Christianity, Islam – and to the argument that atheism, like organised religion, has its own compelling logic. And we gain insight into the life events that led each author to their current position.   Jane Caro flirted briefly with spiritual belief, inspired by 19th century literary heroines such as Elizabeth Gaskell and the Bronte sisters. Antony Loewenstein is proudly culturally, yet unconventionally, Jewish. Simon Smart is firmly and resolutely a Christian, but one who has had some of his most profound spiritual moments while surfing. Rachel Woodlock grew up in the alternative embrace of Baha'i belief but became entranced by its older parent religion, Islam.   Provocative, informative and passionately argued, For God's Sakepublished in 2013, encourages us to accept religious differences, but to also challenge more vigorously the beliefs that create discord.  
After Zionism, published in 2012 and 2013 with co-editor Ahmed Moor, brings together some of the world s leading thinkers on the Middle East question to dissect the century-long conflict between Zionism and the Palestinians, and to explore possible forms of a one-state solution. Time has run out for the two-state solution because of the unending and permanent Jewish colonization of Palestinian land. Although deep mistrust exists on both sides of the conflict, growing numbers of Palestinians and Israelis, Jews and Arabs are working together to forge a different, unified future. Progressive and realist ideas are at last gaining a foothold in the discourse, while those influenced by the colonial era have been discredited or abandoned. Whatever the political solution may be, Palestinian and Israeli lives are intertwined, enmeshed, irrevocably. This daring and timely collection includes essays by Omar Barghouti, Jonathan Cook, Joseph Dana, Jeremiah Haber, Jeff Halper, Ghada Karmi, Antony Loewenstein, Saree Makdisi, John Mearsheimer, Ahmed Moor, Ilan Pappe, Sara Roy and Phil Weiss.
The 2008 financial crisis opened the door for a bold, progressive social movement. But despite widespread revulsion at economic inequity and political opportunism, after the crash very little has changed. Has the Left failed? What agenda should progressives pursue? And what alternatives do they dare to imagine? Left Turn, published by Melbourne University Press in 2012 and co-edited with Jeff Sparrow, is aimed at the many Australians disillusioned with the political process. It includes passionate and challenging contributions by a diverse range of writers, thinkers and politicians, from Larissa Berendht and Christos Tsiolkas to Guy Rundle and Lee Rhiannon. These essays offer perspectives largely excluded from the mainstream. They offer possibilities for resistance and for a renewed struggle for change.
The Blogging Revolution, released by Melbourne University Press in 2008, is a colourful and revelatory account of bloggers around the globe why live and write under repressive regimes - many of them risking their lives in doing so. Antony Loewenstein's travels take him to private parties in Iran and Egypt, internet cafes in Saudi Arabia and Damascus, to the homes of Cuban dissidents and into newspaper offices in Beijing, where he discovers the ways in which the internet is threatening the ruld of governments. Through first-hand investigations, he reveals the complicity of Western multinationals in assisting the restriction of information in these countries and how bloggers are leading the charge for change. The blogging revolution is a superb examination about the nature of repression in the twenty-first century and the power of brave individuals to overcome it. It was released in an updated edition in 2011, post the Arab revolutions, and an updated Indian print version in 2011.
The best-selling book on the Israel/Palestine conflict, My Israel Question - on Jewish identity, the Zionist lobby, reporting from Palestine and future Middle East directions - was released by Melbourne University Press in 2006. A new, updated edition was released in 2007 (and reprinted again in 2008). The book was short-listed for the 2007 NSW Premier's Literary Award. Another fully updated, third edition was published in 2009. It was released in all e-book formats in 2011. An updated and translated edition was published in Arabic in 2012.

Sharing the art of writing in Gaza

Moving piece by Jamal Mahjoub in Guernica about his visit to Gaza with the PalFest literary bandwagon:

The Islamic University is the best funded of the four universities in Gaza. It is also the only one that is not secular. Our first day, we are given a tour of the segregated campus, our male guides giggling as we cross into the women’s section. The grounds are neatly tended and decorated with trees that stand between big, modern buildings, including a three-story library. Two of the buildings were bombed in 2009 but have been fully rebuilt. There are no signs of destruction or shortage. When I ask our guides about this I am told that they have “their own ways” of bringing in materials.

In a cramped lecture hall two other writers and I find ourselves facing a full house of mostly young women, nearly all of them wearing colorful headscarves and austere grey or black jilbabs. The fluency of English varies, and although they all display a great deal of enthusiasm about our visit it is unclear what is expected of us. This session was originally billed as a workshop, but after a round of introductions, I see that what the students really want to do is talk.

Many of the questions directed at us convey a concern about our motives. Why have we come here? What did we expect to find? I sense some degree of distrust, even resentment. The jilbabs and the headscarves give the impression that these women live sheltered lives. In contrast, though, they speak with a frankness I admire. Many of them already write. A couple of girls come forward to read out their poems. They do not wait for permission to speak. Like students in classrooms everywhere, they want to hear how we managed to get published and how they should go about getting their stories out into the world. They are witnesses to a unique situation which lends urgency. At the end, as we are about to leave, more of them crowd around still pressing for an answer to the question, “What do I have to do to write?” I repeat the same advice I have always given in similar situations: To write, all you have to do is write and keep writing.

On our last evening the closing PalFest event is shut down by security forces. It’s not clear who we have offended, but everything points to an accumulation of distrust. Gatherings in which men and women congregate in the same public space are frowned upon by Hamas. Two nights before, in what was the highlight of our roadtrip, the hugely popular and highly talented Egyptian group Eskenderella, who are traveling with us, gave a concert that was rapturously received. Eskenderella’s songs of revolution have been a fixture in Cairo over the last year, providing a soundtrack to the events in Tahrir Square. The local PalFest organizers were asked to split the concert hall, men on one side, women on the other, but they refused. Many of our authors are Egyptian, and the anti-authoritarian spirit has been running high at reading events and in interviews. It is perhaps not surprising that Hamas was made uncomfortable. In any case, on that last evening on the little stage at the Qasr al-Basha cultural center, the power is suddenly cut and the mic dies. A moment later a plainclothes officer runs across to snatch a camera from a young woman. What follows is a charged confrontation with an absurdly large crowd of armed police and plain-clothed security officers. In the end we are escorted back to our bus and allowed to return to the hotel. We take as many of the audience as we can manage. Many of them are nervous about possible repercussions, especially after we depart. Security men photographed much of the audience. Back at the hotel the terrace is converted into an impromptu venue and the concert continues long into the night with poetry readings and songs.

no comments – be the first ↪