Profits_of_doom_cover_350Vulture capitalism has seen the corporation become more powerful than the state, and yet its work is often done by stealth, supported by political and media elites. The result is privatised wars and outsourced detention centres, mining companies pillaging precious land in developing countries and struggling nations invaded by NGOs and the corporate dollar. Best-selling journalist Antony Loewenstein travels to Afghanistan, Pakistan, Haiti, Papua New Guinea and across Australia to witness the reality of this largely hidden world of privatised detention centres, outsourced aid, destructive resource wars and militarized private security. Who is involved and why? Can it be stopped? What are the alternatives in a globalised world? Profits of Doom, published in 2013 and released in an updated edition in 2014, challenges the fundamentals of our unsustainable way of life and the money-making imperatives driving it. It is released in an updated edition in 2014.
forgodssakecover Four Australian thinkers come together to ask and answer the big questions, such as: What is the nature of the universe? Doesn't religion cause most of the conflict in the world? And Where do we find hope?   We are introduced to different belief systems – Judaism, Christianity, Islam – and to the argument that atheism, like organised religion, has its own compelling logic. And we gain insight into the life events that led each author to their current position.   Jane Caro flirted briefly with spiritual belief, inspired by 19th century literary heroines such as Elizabeth Gaskell and the Bronte sisters. Antony Loewenstein is proudly culturally, yet unconventionally, Jewish. Simon Smart is firmly and resolutely a Christian, but one who has had some of his most profound spiritual moments while surfing. Rachel Woodlock grew up in the alternative embrace of Baha'i belief but became entranced by its older parent religion, Islam.   Provocative, informative and passionately argued, For God's Sakepublished in 2013, encourages us to accept religious differences, but to also challenge more vigorously the beliefs that create discord.  
After Zionism, published in 2012 and 2013 with co-editor Ahmed Moor, brings together some of the world s leading thinkers on the Middle East question to dissect the century-long conflict between Zionism and the Palestinians, and to explore possible forms of a one-state solution. Time has run out for the two-state solution because of the unending and permanent Jewish colonization of Palestinian land. Although deep mistrust exists on both sides of the conflict, growing numbers of Palestinians and Israelis, Jews and Arabs are working together to forge a different, unified future. Progressive and realist ideas are at last gaining a foothold in the discourse, while those influenced by the colonial era have been discredited or abandoned. Whatever the political solution may be, Palestinian and Israeli lives are intertwined, enmeshed, irrevocably. This daring and timely collection includes essays by Omar Barghouti, Jonathan Cook, Joseph Dana, Jeremiah Haber, Jeff Halper, Ghada Karmi, Antony Loewenstein, Saree Makdisi, John Mearsheimer, Ahmed Moor, Ilan Pappe, Sara Roy and Phil Weiss.
The 2008 financial crisis opened the door for a bold, progressive social movement. But despite widespread revulsion at economic inequity and political opportunism, after the crash very little has changed. Has the Left failed? What agenda should progressives pursue? And what alternatives do they dare to imagine? Left Turn, published by Melbourne University Press in 2012 and co-edited with Jeff Sparrow, is aimed at the many Australians disillusioned with the political process. It includes passionate and challenging contributions by a diverse range of writers, thinkers and politicians, from Larissa Berendht and Christos Tsiolkas to Guy Rundle and Lee Rhiannon. These essays offer perspectives largely excluded from the mainstream. They offer possibilities for resistance and for a renewed struggle for change.
The Blogging Revolution, released by Melbourne University Press in 2008, is a colourful and revelatory account of bloggers around the globe why live and write under repressive regimes - many of them risking their lives in doing so. Antony Loewenstein's travels take him to private parties in Iran and Egypt, internet cafes in Saudi Arabia and Damascus, to the homes of Cuban dissidents and into newspaper offices in Beijing, where he discovers the ways in which the internet is threatening the ruld of governments. Through first-hand investigations, he reveals the complicity of Western multinationals in assisting the restriction of information in these countries and how bloggers are leading the charge for change. The blogging revolution is a superb examination about the nature of repression in the twenty-first century and the power of brave individuals to overcome it. It was released in an updated edition in 2011, post the Arab revolutions, and an updated Indian print version in 2011.
The best-selling book on the Israel/Palestine conflict, My Israel Question - on Jewish identity, the Zionist lobby, reporting from Palestine and future Middle East directions - was released by Melbourne University Press in 2006. A new, updated edition was released in 2007 (and reprinted again in 2008). The book was short-listed for the 2007 NSW Premier's Literary Award. Another fully updated, third edition was published in 2009. It was released in all e-book formats in 2011. An updated and translated edition was published in Arabic in 2012.

Michael Moore embraces stunning film about Palestinian resistance, 5 Broken Cameras

The film 5 Broken Cameras was one of 2012′s strongest, documenting the daily brutality of the Israeli occupation of Palestine.

One of America’s most successful documentary film-makers, Michael Moore, is a big champion of the film. During a November screening in New York, Moore introduced the film with the following words:

I was able to get [co-director] Emad to Traverse City, Michigan. He’d gone to the airport in Tel Aviv and they wouldn’t let him leave. And so we had to get him to Amman to get on a plane there. But because I run a large international network of terrorists we were able to make this happen (laughs). I have been a huge advocate for this film for the better part of the last year. I was just telling Tom (the event’s co-organisier) downstairs that if I were the third Koch brother and had their resources … I would send a copy of this film to every home in America. And I believe that within 24 hours, if people would watch it, public opinion on this issue would change dramatically. This film is so powerful in its humanity, in its heart, its belief in non-violence as the way to succeed.

When Emad and his family were in Traverse City, Terry George, who made Hotel Rwanda, and I were introducing the film and then we did a Q&A afterwards and Terry said something I thought was really very true: every now and again a documentary comes along that after you see it you won’t discuss it as a documentary, you will discuss it as a work of art, a work of cinema, a movie. And we feel very strongly that this is one of those movies. This is one of the best movies I’ve seen this year, of all movies, not just documentaries. And their struggle goes on as you will see. This man is not a documentary film maker – he’s a farmer. And the film that you are about to watch is a film made by a farmer. With no training whatsoever. And I don’t even think that they have a theatre in their town so I don’t even know what he’s seen.

So that makes it even more amazing as you watch this film, and you’re realising that sometimes if you have that, whatever that is in you, whatever you have to say, you want your voice heard, and he found the medium to do that, quite accidentally: because his son, Jibreel, was born in 2005 and he picked up a used home video camera; and started you know wanting to film his son growing up but things started happening, they (Israel) started building the wall to bleed their town, so he started filming that, and the title of the film, as is probably self-evident, in terms of what happens to his cameras. One thing we did in Traverse City town is that when he left we sent him a brand new camera (laughs) so he can keep filming. A small price to pay for trying to right a horrible, horrible wrong.

So I’m really happy that he came here tonight to watch this; and I encourage you in terms of not only your appreciation of the art of this film, but also when you leave here, when you think about this tomorrow, to do what you can to help other people who don’t have five broken cameras, don’t have a voice. We (Americans) are the funder of what you are about to see.

What this all shows is that the Palestinian narrative, the reality of the Israeli occupation of their land, is slowly but surely creeping into the American mainstream.

30 comments ↪
  • http://www.saradowse.com.au Sara Dowse

    Will it be coming to Oz, Antony? Or has hermit me already missed it?

  • antloew

    the film has screened in oz at a few film festivals in 2012. not sure about future screenings.