Best-selling journalist Antony Loewenstein trav­els across Afghanistan, Pakistan, Haiti, Papua New Guinea, the United States, Britain, Greece, and Australia to witness the reality of disaster capitalism. He discovers how companies such as G4S, Serco, and Halliburton cash in on or­ganized misery in a hidden world of privatized detention centers, militarized private security, aid profiteering, and destructive mining.

Disaster has become big business. Talking to immigrants stuck in limbo in Britain or visiting immigration centers in America, Loewenstein maps the secret networks formed to help cor­porations bleed what profits they can from economic crisis. He debates with Western contractors in Afghanistan, meets the locals in post-earthquake Haiti, and in Greece finds a country at the mercy of vulture profiteers. In Papua New Guinea, he sees a local commu­nity forced to rebel against predatory resource companies and NGOs.

What emerges through Loewenstein’s re­porting is a dark history of multinational corpo­rations that, with the aid of media and political elites, have grown more powerful than national governments. In the twenty-first century, the vulnerable have become the world’s most valu­able commodity. Disaster Capitalism is published by Verso in 2015.

Profits_of_doom_cover_350Vulture capitalism has seen the corporation become more powerful than the state, and yet its work is often done by stealth, supported by political and media elites. The result is privatised wars and outsourced detention centres, mining companies pillaging precious land in developing countries and struggling nations invaded by NGOs and the corporate dollar. Best-selling journalist Antony Loewenstein travels to Afghanistan, Pakistan, Haiti, Papua New Guinea and across Australia to witness the reality of this largely hidden world of privatised detention centres, outsourced aid, destructive resource wars and militarized private security. Who is involved and why? Can it be stopped? What are the alternatives in a globalised world? Profits of Doom, published in 2013 and released in an updated edition in 2014, challenges the fundamentals of our unsustainable way of life and the money-making imperatives driving it. It is released in an updated edition in 2014.
forgodssakecover Four Australian thinkers come together to ask and answer the big questions, such as: What is the nature of the universe? Doesn't religion cause most of the conflict in the world? And Where do we find hope?   We are introduced to different belief systems – Judaism, Christianity, Islam – and to the argument that atheism, like organised religion, has its own compelling logic. And we gain insight into the life events that led each author to their current position.   Jane Caro flirted briefly with spiritual belief, inspired by 19th century literary heroines such as Elizabeth Gaskell and the Bronte sisters. Antony Loewenstein is proudly culturally, yet unconventionally, Jewish. Simon Smart is firmly and resolutely a Christian, but one who has had some of his most profound spiritual moments while surfing. Rachel Woodlock grew up in the alternative embrace of Baha'i belief but became entranced by its older parent religion, Islam.   Provocative, informative and passionately argued, For God's Sakepublished in 2013, encourages us to accept religious differences, but to also challenge more vigorously the beliefs that create discord.  
After Zionism, published in 2012 and 2013 with co-editor Ahmed Moor, brings together some of the world s leading thinkers on the Middle East question to dissect the century-long conflict between Zionism and the Palestinians, and to explore possible forms of a one-state solution. Time has run out for the two-state solution because of the unending and permanent Jewish colonization of Palestinian land. Although deep mistrust exists on both sides of the conflict, growing numbers of Palestinians and Israelis, Jews and Arabs are working together to forge a different, unified future. Progressive and realist ideas are at last gaining a foothold in the discourse, while those influenced by the colonial era have been discredited or abandoned. Whatever the political solution may be, Palestinian and Israeli lives are intertwined, enmeshed, irrevocably. This daring and timely collection includes essays by Omar Barghouti, Jonathan Cook, Joseph Dana, Jeremiah Haber, Jeff Halper, Ghada Karmi, Antony Loewenstein, Saree Makdisi, John Mearsheimer, Ahmed Moor, Ilan Pappe, Sara Roy and Phil Weiss.
The 2008 financial crisis opened the door for a bold, progressive social movement. But despite widespread revulsion at economic inequity and political opportunism, after the crash very little has changed. Has the Left failed? What agenda should progressives pursue? And what alternatives do they dare to imagine? Left Turn, published by Melbourne University Press in 2012 and co-edited with Jeff Sparrow, is aimed at the many Australians disillusioned with the political process. It includes passionate and challenging contributions by a diverse range of writers, thinkers and politicians, from Larissa Berendht and Christos Tsiolkas to Guy Rundle and Lee Rhiannon. These essays offer perspectives largely excluded from the mainstream. They offer possibilities for resistance and for a renewed struggle for change.
The Blogging Revolution, released by Melbourne University Press in 2008, is a colourful and revelatory account of bloggers around the globe why live and write under repressive regimes - many of them risking their lives in doing so. Antony Loewenstein's travels take him to private parties in Iran and Egypt, internet cafes in Saudi Arabia and Damascus, to the homes of Cuban dissidents and into newspaper offices in Beijing, where he discovers the ways in which the internet is threatening the ruld of governments. Through first-hand investigations, he reveals the complicity of Western multinationals in assisting the restriction of information in these countries and how bloggers are leading the charge for change. The blogging revolution is a superb examination about the nature of repression in the twenty-first century and the power of brave individuals to overcome it. It was released in an updated edition in 2011, post the Arab revolutions, and an updated Indian print version in 2011.
The best-selling book on the Israel/Palestine conflict, My Israel Question - on Jewish identity, the Zionist lobby, reporting from Palestine and future Middle East directions - was released by Melbourne University Press in 2006. A new, updated edition was released in 2007 (and reprinted again in 2008). The book was short-listed for the 2007 NSW Premier's Literary Award. Another fully updated, third edition was published in 2009. It was released in all e-book formats in 2011. An updated and translated edition was published in Arabic in 2012.

Stand firm against the Murdoch war on public broadcasting

My weekly Guardian column:

The terms of the current battle in Australia over the ABC, its budget and place in public life have been set by its most vociferous critics, mostly in the Murdoch press. If only the lines weren’t so predictable. Their campaign fits neatly into a global trend: to reduce the public’s faith in public broadcasting, and to prepare for its selloff to corporate competitors.

Neutering the BBC and ABC, and the US public broadcasters NPR and PBS, is part of the Murdoch empire’s core business. As many of its papers continue to lose money every day, it’s no surprise that their fixation on halting so-called digital “mission creep” is a worldwide obsession.


In 2013, Rupert Murdoch tweeted about his favourite enemy, the BBC: “huge lack of balance in UK media with 8,000 BBC left wing journalists far outnumbering all national print journalists.” He added that the BBC was a “massive taxpayer-funded mouthpiece for tiny circulation leftist Guardian”.

And in 2006, James MacManus, executive director of News International, said it was “outrageous” that the BBC was able to run on public money because the broadcaster had “blatantly commercial ambitions” and was trying to “create a digital empire”.

The same criticisms were made of ABC managing director Mark Scott in the papers last week: that he is creating a “superfluous digital empire” that impinges on the commercial realities of privately-owned media.

The message from Murdoch and other commercial enterprises is that their investment in journalism and innovation keeps a vibrant press alive – and that any limit to their commercial operations is an intrusion on free speech.

What that means in practice is quite different. To the Murdoch empire, a “free” press means the right to, for instance, sponsor the tricks of prominent British Murdoch reporter Mazher Mahmood – the “fake sheikh”.

For a well-resourced and independent BBC, the Guardian’s Peter Preston argued in his commentary on the BBC’s Mahmood expose, freedom is the “in-house means to dig, expose, take risks, and clear its decks for action” – vital journalistic functions that serve democracy.

Although many in the UK still like and admire the BBC, the institution has fallen greatly in the last ten years. Scandals, mismanagement and the perception that the broadcaster remains too close to the political establishment have harmed the BBC’s reputation. The cover-up of the crimes of serial paedophile Jimmy Savile was a watershed moment for the BBC – nearly half the British public lost trust in the Beeb after the scandal broke.

The difference is, every scandal at the public broadcaster is ammunition for the critics and privatisers. As British journalist Charlotte Higgins wrote earlier this year in the wake of ongoing crises in the BBC:

“It is in the nature of BBC rows to escalate quickly to question the very basis on which it is run. Some of the corporation’s enemies clearly hold the view that if one undermines the foundations, the edifice might be more swiftly destroyed: like digging a mine in a medieval siege.”

Murdoch would be pleased to recently read that the foundations are indeed getting shaky: BBC management is considering placing leading current affairs shows into a commercial subsidiary, yet another arm of the organisation that could suffer hits to their credibility were it exposed to commercial realities. David Cameron’s government has always been amenable to Murdoch’s grander ambitions – in opposition he argued the BBC “was squeezing and crushing … commercial competition” in Murdoch’s Sun newspaper. Labour leader Ed Miliband has also had a cosy relationship with the media mogul, despite a recent critical turn.


The American public are fighting an even more important battle. A mere six corporations control 90% of the press, and consumer confidence in the media is at an all-time low. Publicly funded outlets PBS and NPR have been marginalised and starved of funds for so long that they now sometimes take corporate largesse, diluting their integrity.

Republican critics of US public broadcasting argue that the high salaries of top management, and the success of its childrens’ programmes like Sesame Street, are arguments for cutting it loose from taxpayer funding. Again, parallels can be drawn with the Australian example: just look at the intense interest in Quentin Dempster’s salary and the children’s show, Peppa Pig.

Were PBS or NPR to be diminished, a handful of multinational media outlets would completely dominate the US media market. Murdoch’s burning desire to still consume Time Warner would guarantee an even larger voice for the multinational.

During the 2012 US presidential election, Republican candidate Mitt Romney said Washington should “stop the subsidy” to PBS, due to his ideological set against state funding for media. In reality, like with the ABC and BBC, government support is tiny and decreasing. NPR and PBS received $445m from 2012 to 2014, .012 percent of the federal budget.

Stations in rural areas are closing and shrinking and public radio states are decreasing, leaving only corporate alternatives. A 2012 poll found 55% of voters opposed cuts in public television spending. Murdoch, through Fox News, New York Post and Wall Street Journal, tirelessly campaigns and backs candidates who argue that the digital revolution makes public media obsolete.

We hear exactly the same rhetoric in Australia. The Lewis review urged the ABC to dump digital radio and charge for online content, opening the way for Murdoch to capitalise on a reduced ABC footprint.


The aim isn’t to kill public broadcasting outright but to force a long war of attrition that slowly chips away at public’s respect and broadcasters’ desire to fight. It’s a messy strategy, but it’s working: trust in state-owned media like the ABC is in slow decline, even though it still leaves its critics for dead.

It’s a sign of how far this debate has skewed that the vast majority of heated conversations on public broadcasting are framed in purely economic terms. Can we afford it? Should we pay for it? How much does it cost? Can we sell off divisions?

We’re never discussing that terms of the debate disallow or discourage dissenting points of view. It’s far easier to obsess over the dry economics of an industry that doesn’t make anything tangible, like manufacturing or agriculture. The ABC is forced to explain its relevance in the face of ongoing attacks, when its charter prioritises the very things its commercial critics would see diminished: multiculturalism, education, diversity – and independence.

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