Best-selling journalist Antony Loewenstein trav­els across Afghanistan, Pakistan, Haiti, Papua New Guinea, the United States, Britain, Greece, and Australia to witness the reality of disaster capitalism. He discovers how companies such as G4S, Serco, and Halliburton cash in on or­ganized misery in a hidden world of privatized detention centers, militarized private security, aid profiteering, and destructive mining.

Disaster has become big business. Talking to immigrants stuck in limbo in Britain or visiting immigration centers in America, Loewenstein maps the secret networks formed to help cor­porations bleed what profits they can from economic crisis. He debates with Western contractors in Afghanistan, meets the locals in post-earthquake Haiti, and in Greece finds a country at the mercy of vulture profiteers. In Papua New Guinea, he sees a local commu­nity forced to rebel against predatory resource companies and NGOs.

What emerges through Loewenstein’s re­porting is a dark history of multinational corpo­rations that, with the aid of media and political elites, have grown more powerful than national governments. In the twenty-first century, the vulnerable have become the world’s most valu­able commodity. Disaster Capitalism is published by Verso in 2015.

Profits_of_doom_cover_350Vulture capitalism has seen the corporation become more powerful than the state, and yet its work is often done by stealth, supported by political and media elites. The result is privatised wars and outsourced detention centres, mining companies pillaging precious land in developing countries and struggling nations invaded by NGOs and the corporate dollar. Best-selling journalist Antony Loewenstein travels to Afghanistan, Pakistan, Haiti, Papua New Guinea and across Australia to witness the reality of this largely hidden world of privatised detention centres, outsourced aid, destructive resource wars and militarized private security. Who is involved and why? Can it be stopped? What are the alternatives in a globalised world? Profits of Doom, published in 2013 and released in an updated edition in 2014, challenges the fundamentals of our unsustainable way of life and the money-making imperatives driving it. It is released in an updated edition in 2014.
forgodssakecover Four Australian thinkers come together to ask and answer the big questions, such as: What is the nature of the universe? Doesn't religion cause most of the conflict in the world? And Where do we find hope?   We are introduced to different belief systems – Judaism, Christianity, Islam – and to the argument that atheism, like organised religion, has its own compelling logic. And we gain insight into the life events that led each author to their current position.   Jane Caro flirted briefly with spiritual belief, inspired by 19th century literary heroines such as Elizabeth Gaskell and the Bronte sisters. Antony Loewenstein is proudly culturally, yet unconventionally, Jewish. Simon Smart is firmly and resolutely a Christian, but one who has had some of his most profound spiritual moments while surfing. Rachel Woodlock grew up in the alternative embrace of Baha'i belief but became entranced by its older parent religion, Islam.   Provocative, informative and passionately argued, For God's Sakepublished in 2013, encourages us to accept religious differences, but to also challenge more vigorously the beliefs that create discord.  
After Zionism, published in 2012 and 2013 with co-editor Ahmed Moor, brings together some of the world s leading thinkers on the Middle East question to dissect the century-long conflict between Zionism and the Palestinians, and to explore possible forms of a one-state solution. Time has run out for the two-state solution because of the unending and permanent Jewish colonization of Palestinian land. Although deep mistrust exists on both sides of the conflict, growing numbers of Palestinians and Israelis, Jews and Arabs are working together to forge a different, unified future. Progressive and realist ideas are at last gaining a foothold in the discourse, while those influenced by the colonial era have been discredited or abandoned. Whatever the political solution may be, Palestinian and Israeli lives are intertwined, enmeshed, irrevocably. This daring and timely collection includes essays by Omar Barghouti, Jonathan Cook, Joseph Dana, Jeremiah Haber, Jeff Halper, Ghada Karmi, Antony Loewenstein, Saree Makdisi, John Mearsheimer, Ahmed Moor, Ilan Pappe, Sara Roy and Phil Weiss.
The 2008 financial crisis opened the door for a bold, progressive social movement. But despite widespread revulsion at economic inequity and political opportunism, after the crash very little has changed. Has the Left failed? What agenda should progressives pursue? And what alternatives do they dare to imagine? Left Turn, published by Melbourne University Press in 2012 and co-edited with Jeff Sparrow, is aimed at the many Australians disillusioned with the political process. It includes passionate and challenging contributions by a diverse range of writers, thinkers and politicians, from Larissa Berendht and Christos Tsiolkas to Guy Rundle and Lee Rhiannon. These essays offer perspectives largely excluded from the mainstream. They offer possibilities for resistance and for a renewed struggle for change.
The Blogging Revolution, released by Melbourne University Press in 2008, is a colourful and revelatory account of bloggers around the globe why live and write under repressive regimes - many of them risking their lives in doing so. Antony Loewenstein's travels take him to private parties in Iran and Egypt, internet cafes in Saudi Arabia and Damascus, to the homes of Cuban dissidents and into newspaper offices in Beijing, where he discovers the ways in which the internet is threatening the ruld of governments. Through first-hand investigations, he reveals the complicity of Western multinationals in assisting the restriction of information in these countries and how bloggers are leading the charge for change. The blogging revolution is a superb examination about the nature of repression in the twenty-first century and the power of brave individuals to overcome it. It was released in an updated edition in 2011, post the Arab revolutions, and an updated Indian print version in 2011.
The best-selling book on the Israel/Palestine conflict, My Israel Question - on Jewish identity, the Zionist lobby, reporting from Palestine and future Middle East directions - was released by Melbourne University Press in 2006. A new, updated edition was released in 2007 (and reprinted again in 2008). The book was short-listed for the 2007 NSW Premier's Literary Award. Another fully updated, third edition was published in 2009. It was released in all e-book formats in 2011. An updated and translated edition was published in Arabic in 2012.

Russell Brand’s “Revolution” hits anti-capitalist mark

My weekly Guardian column:

Political success for society’s invisible souls is rare. So when US investor Westbrook Partners announced last week that it had withdrawn from evicting families at the New Era estate in East London, it was cause for celebration. Instead of building expensive properties, the company sold its development to Dolphin Square Charitable Foundation, an affordable housing organisation. People who faced skyrocketing rents now have security and hope before Christmas.

British writer and comedian Russell Brand was key to this victory. His support of the campaigners on the ground and on social media led The Independent to describe New Era as “Proof that [his] revolution may actually be working”.

After New Era, it’s harder than ever to mock him as “the voice of the discontented wealthy”, as the Observer’s Nick Cohen did in his review of Brand’s book, Revolution. On the contrary: protest organiser Lindsey Garrett said Brand’s involvement “gave us a bigger voice. And rather than taking over, he gave us a much bigger audience to speak to”.

Accusations of hypocrisy and shallowness are also getting harder to make. When it comes to inequality, housing, income – all the things the left is supposed to be interested in – Brand seems to understand that the personal really is the political. As he wrote on New Era:

“Drawn in initially by the importance and ubiquity of the cause, housing is the issue of our time, I was compelled to stay, as if held by the heart, by a deeper issue, both social and personal. By something I didn’t even know I was grieving; the loss of community, our connection to each other.”

More broadly, his thinking on issues like climate change – he says agreements like Kyoto are “not worth a wank in a windsock” – accords with the thesis of (among others) Canadian writer Naomi Klein, in her bestselling book This Changes Everything. Admittedly, Klein’s language is rather less fruity.

Now it seems to be Brand’s turn to do the mocking: of the insular world of star fucking that permeates our culture; of the ennui and flatness of modern life; and of the insularity of the media elite.

He is convincing a legion of followers that there’s more to life than, “do a gram, drop a pill, download an app, eat some crap, get a slap, mind the gap, do a line, Instagram, little grope in the cab”. He acknowledges his luck and wealth while constantly taking the piss out of himself. He likes having money but fears losing it.

Squarely in the 1%, even as he reminds us “the richest 1% of British people have as much as the poorest 55%”, Brand enrages his critics because his celebrity and wealth give him easy access to media and money.

Case in point: he is making a documentary about inequality that’s reportedly funded by some of the big bankers he’s going after. Does this neuter his anti-capitalist message? Surely it could instead be seen as a savvy way of culture jamming an establishment that thrives on extravagance.

The filmmaker Michael Moore, director of hugely popular documentaries challenging US hegemony and capitalism, was plagued by similar accusations of hypocrisy. One New York Times bestseller, Michael Moore is a Big Fat Stupid White Man, is devoted to these kinds of attacks.

So what if people like Brand and Moore are sometimes pompous, or narcissistic, or populist, or inconsistent? Or if they don’t correspond with the cliche of the ascetic Marxist revolutionary? What matters is what these multi-millionaires do with their money.

Moore has produced any number of films that both entertain and challenge orthodox views of state violence, health care and capitalism itself. Earlier this year, he joked wryly that, “Entertainment is the big dirty word of documentary. ‘Oh no! I’ve entertained someone. I’ve cheapened my movie!’.”

Or as Brand puts it: “The revolution cannot be boring.”

A public feeling economic anxiety, at turns enraged and defeated, might agree. People flock to hear the stories Moore and Brand have to tell, no matter how much scorn is poured on them by critics.

“Aren’t we all, in one way or another, trying to find a solution to the problem of reality?” Brand writes in Revolution. What his solution looks like might depend on how you see him: media darling, irritant, inspiration, guru, reformed drug addict, former husband to singer Katy Perry, author, founder of daily news hackThe Trews, opponent of voting or man of the people. Take your pick.

Plenty have picked “hate object”, which, like the accusations of hypocrisy and selfishness, will be harder to justify after the New Era win. Surely it’s time to acknowledge that Brand – like Michael Moore – is actually a working class voice who belongs in the mix?

As he told Democracy Now, “If you sort of go, ‘Hey, I’m actually from a background where people are affected by stuff like this. This is what we think. Can we talk about this in a different way?’ people are so fiercely territorial and protective, it’s interesting”.

Brand isn’t the messiah (or just a naughty boy, for that matter) and his messagepisses off plenty of people. So does his method, sometimes. But his apology to an RBS worker whose lunch inadvertently became a casualty of a film shoot is heartfelt:

“Jo, get in touch, I owe you an apology and I’d like to take you for a hot paella to make up for the one that went cold … When I make a mistake I like to apolgise and put it right. Hopefully your bosses will do the same to the people of Britain.”

He’ll apologise for the small things; many of the established columnists who dump on Brand won’t apologise for getting it wrong on the big-picture issues, like the wars in Iraq, Afghanistan, Libya and Syria, national security and the like.

On these stories, Brand speaks for the mainstream far more than many self-described national security experts. A 2013 Pew poll in the US found that a majority of citizens were more worried about civil liberties than terrorism. His recent comments on the Sydney siege nailed the way governments implement excessive state surveillance after a terror attack – increasingly a mainstream concern.

Nevertheless, anybody famous who proclaims themselves dissatisfied with society’s options is bound to be accused of wankery and ungratefulness by some. So be it. But Brand is a fascinating man, who dares to ask a huge audience to question the causes of housing shortages, corporate power and state terrorism. He is also ready to swing his star power behind the cause of a few dozen families facing eviction before Christmas. And he makes these issues relevant to millions.

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