Best-selling journalist Antony Loewenstein trav­els across Afghanistan, Pakistan, Haiti, Papua New Guinea, the United States, Britain, Greece, and Australia to witness the reality of disaster capitalism. He discovers how companies such as G4S, Serco, and Halliburton cash in on or­ganized misery in a hidden world of privatized detention centers, militarized private security, aid profiteering, and destructive mining.

Disaster has become big business. Talking to immigrants stuck in limbo in Britain or visiting immigration centers in America, Loewenstein maps the secret networks formed to help cor­porations bleed what profits they can from economic crisis. He debates with Western contractors in Afghanistan, meets the locals in post-earthquake Haiti, and in Greece finds a country at the mercy of vulture profiteers. In Papua New Guinea, he sees a local commu­nity forced to rebel against predatory resource companies and NGOs.

What emerges through Loewenstein’s re­porting is a dark history of multinational corpo­rations that, with the aid of media and political elites, have grown more powerful than national governments. In the twenty-first century, the vulnerable have become the world’s most valu­able commodity. Disaster Capitalism is published by Verso in 2015.

Profits_of_doom_cover_350Vulture capitalism has seen the corporation become more powerful than the state, and yet its work is often done by stealth, supported by political and media elites. The result is privatised wars and outsourced detention centres, mining companies pillaging precious land in developing countries and struggling nations invaded by NGOs and the corporate dollar. Best-selling journalist Antony Loewenstein travels to Afghanistan, Pakistan, Haiti, Papua New Guinea and across Australia to witness the reality of this largely hidden world of privatised detention centres, outsourced aid, destructive resource wars and militarized private security. Who is involved and why? Can it be stopped? What are the alternatives in a globalised world? Profits of Doom, published in 2013 and released in an updated edition in 2014, challenges the fundamentals of our unsustainable way of life and the money-making imperatives driving it. It is released in an updated edition in 2014.
forgodssakecover Four Australian thinkers come together to ask and answer the big questions, such as: What is the nature of the universe? Doesn't religion cause most of the conflict in the world? And Where do we find hope?   We are introduced to different belief systems – Judaism, Christianity, Islam – and to the argument that atheism, like organised religion, has its own compelling logic. And we gain insight into the life events that led each author to their current position.   Jane Caro flirted briefly with spiritual belief, inspired by 19th century literary heroines such as Elizabeth Gaskell and the Bronte sisters. Antony Loewenstein is proudly culturally, yet unconventionally, Jewish. Simon Smart is firmly and resolutely a Christian, but one who has had some of his most profound spiritual moments while surfing. Rachel Woodlock grew up in the alternative embrace of Baha'i belief but became entranced by its older parent religion, Islam.   Provocative, informative and passionately argued, For God's Sakepublished in 2013, encourages us to accept religious differences, but to also challenge more vigorously the beliefs that create discord.  
After Zionism, published in 2012 and 2013 with co-editor Ahmed Moor, brings together some of the world s leading thinkers on the Middle East question to dissect the century-long conflict between Zionism and the Palestinians, and to explore possible forms of a one-state solution. Time has run out for the two-state solution because of the unending and permanent Jewish colonization of Palestinian land. Although deep mistrust exists on both sides of the conflict, growing numbers of Palestinians and Israelis, Jews and Arabs are working together to forge a different, unified future. Progressive and realist ideas are at last gaining a foothold in the discourse, while those influenced by the colonial era have been discredited or abandoned. Whatever the political solution may be, Palestinian and Israeli lives are intertwined, enmeshed, irrevocably. This daring and timely collection includes essays by Omar Barghouti, Jonathan Cook, Joseph Dana, Jeremiah Haber, Jeff Halper, Ghada Karmi, Antony Loewenstein, Saree Makdisi, John Mearsheimer, Ahmed Moor, Ilan Pappe, Sara Roy and Phil Weiss.
The 2008 financial crisis opened the door for a bold, progressive social movement. But despite widespread revulsion at economic inequity and political opportunism, after the crash very little has changed. Has the Left failed? What agenda should progressives pursue? And what alternatives do they dare to imagine? Left Turn, published by Melbourne University Press in 2012 and co-edited with Jeff Sparrow, is aimed at the many Australians disillusioned with the political process. It includes passionate and challenging contributions by a diverse range of writers, thinkers and politicians, from Larissa Berendht and Christos Tsiolkas to Guy Rundle and Lee Rhiannon. These essays offer perspectives largely excluded from the mainstream. They offer possibilities for resistance and for a renewed struggle for change.
The Blogging Revolution, released by Melbourne University Press in 2008, is a colourful and revelatory account of bloggers around the globe why live and write under repressive regimes - many of them risking their lives in doing so. Antony Loewenstein's travels take him to private parties in Iran and Egypt, internet cafes in Saudi Arabia and Damascus, to the homes of Cuban dissidents and into newspaper offices in Beijing, where he discovers the ways in which the internet is threatening the ruld of governments. Through first-hand investigations, he reveals the complicity of Western multinationals in assisting the restriction of information in these countries and how bloggers are leading the charge for change. The blogging revolution is a superb examination about the nature of repression in the twenty-first century and the power of brave individuals to overcome it. It was released in an updated edition in 2011, post the Arab revolutions, and an updated Indian print version in 2011.
The best-selling book on the Israel/Palestine conflict, My Israel Question - on Jewish identity, the Zionist lobby, reporting from Palestine and future Middle East directions - was released by Melbourne University Press in 2006. A new, updated edition was released in 2007 (and reprinted again in 2008). The book was short-listed for the 2007 NSW Premier's Literary Award. Another fully updated, third edition was published in 2009. It was released in all e-book formats in 2011. An updated and translated edition was published in Arabic in 2012.

Interview about my documentary-in-progress, Disaster Capitalism

I was recently interviewed by Green Left Weekly newspaper:

Independent journalist and author Antony Loewenstein has made a name for himself writing about war crimes, human rights abuses and corporate profiteering.

For the first time, he is seeking to speak truth to power through the medium of film — with his first documentary Disaster Capitalism now in production. Loewenstein is also releasing a new book, Disaster Capitalism: Making a Killing Out of Catastrophe through Verso in September.

Green Left Weekly‘s Paul Benedek spoke to Loewenstein

* * *

Until now, your work has been writing book and articles. What made you move into film with Disaster Capitalism?

For many years, I have realised the power of film and TV to emotionally reach people in ways that the written word cannot.

After a number of books that I know could have benefitted from a complimentary film — My Israel Question would have shown the vicious reality of the Israeli occupation of Palestine and The Blogging Revolution would have featured some of the inspiring dissidents challenging repressive regimes globally — I started talking to Australian filmmakers in 2010/2011 when I began researching my book, Profits of Doom.

To cut a long story short, various partnerships started and stalled, various local funders showed interest, then didn’t. I realised that I should just start filming myself as I was visiting Christmas Island and Curtin detention centres, Haiti, Bougainville in Papua New Guinea, Pakistan and Afghanistan.

I shot on an HD handycam, the images looked fine, but I was keen to collaborate with a filmmaker to shape my vision.

Who is the team you are working with on the film and what role/s are each of you playing?

In 2012, I met New York filmmaker Thor Neureiter through a mutual friend and we visited Haiti together. Since then we’ve been filming, raising money and crafting the documentary from different corners of the globe. Norwegian filmmaker Spencer Austad, based in Australia, is also involved, and he filmed me in Bougainville and Afghanistan.

Thor is the director, producer and cinematographer, Spencer is the co-cinematographer and I’m the presenter, writer and co-producer. Sydney-based production company Media Stockade are our producing partners.

Briefly sum up the theme of Disaster Capitalism, and why this is an important film to make.

The film features three countries: Papua New Guinea, Haiti and Afghanistan. We are investigating the reality and rhetoric of aid and development and how they shape, affect and change people’s lives, often negatively.

Natural resources are often cited as the best way to help developing nations thrive, but in all three nations minerals and mining are leading to greater poverty and displacement. Despite all these problems, many people are making serious money. This is an inevitable result of exploitative policies that aim to enrich local and foreign contractors at the expense of the population.

The aim of the film isn’t simply to shock and seduce people, it’s shot in a beautiful way, but to show how these industries could be different. Our outreach plan includes showing the film to a wide audience, from cinemas to film-festivals, the UN and aid workers and screenings in Haiti, PNG and Afghanistan themselves.

Where has the film taken you, who have you met and what are one or two highlights?

We have travelled twice to each country, Haiti, PNG and Afghanistan, and each time we wanted to have local characters tell their stories, about how the promises from the international community regularly falls short.

One of the highlights was recently visiting Logar Province in Afghanistan, one of the hearts of the insurgency, to meet villagers displaced by the Chinese-owned Aynak mine nearby, one of the largest copper deposits in the world.

The Afghan and Chinese governments and the Chinese company all claim the mine is beneficial to the country, but we saw and heard angry village elders explaining how they faced violence, uncertainty and poverty because of it.

As a film team working very differently from established or mainstream film production companies, what technology has the team used and what have been the challenges on the shoot?

The challenges are immense because we have faced rugged terrain, an insurgency, poverty and access issues. We have shot on a Sony FS100 camera and Black Magic Design camera, Go Pro, iPhone 6 and other devices.

What avenues have you used to fund the film until now, and what are the plans for further funding to complete it?

We have self-funded, raised money on Kickstarter and successfully applied for money from the Bertha Foundation, funders of Citizen Four, Dirty Wars and other successful documentaries. We’re currently speaking to local and international funders to raise the remaining amount. If readers would like to help, they know where to find me.

Where is the film currently at, what needs to be done to complete it and when are you aiming to release it?

Principal shooting of the film is complete, with only minor shooting still required in a few locations. We are raising funds for post-production and hope to have this completed within the next six to 12 months. This project began four to five years ago, so we’re committed to finishing it as soon as possible.

Where do you plan on the film ending up, do you have a distributor and what is your distribution plan?

Our aim for the film is for a global cinema release, to be seen by as many people as possible. We will aim for film festivals, TV, Al Jazeera, BBC, Netflix and a range of other options.

We do not yet have a distributor but are talking to a few. The distribution and outreach plan revolves around changing the conversation on aid and development in a way that challenges the gatekeepers in that industry.

To achieve this goal, we’ll have an active social media campaign and partner with local and global human rights NGOs to spread the message. We’ll also use our various media platforms to discuss the film.

Do you think film is a medium that other progressive journalists and writers should be looking at moving into?

Although making a documentary is a slow process, I certainly believe in its power and worth to compliment other types of writing and activism. There’s a reason Naomi Klein is making a documentary version of her book, This Changes Everything, on climate change. She wants to reach large audiences with a message.

Disaster Capitalism has similar goals because these issues don’t just affect elite policy makers at the UN or NGOs. As our film shows, locals are often negatively affected by policy decisions made in Western nations. We are all complicit.

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