Eagles Waves Radio interview on For God's Sake

Issues of religious and cultural identity are endlessly discussed in society. My recent book, For God’s Sake, touches on these issues (as does my… Guardian column this week). I recently appeared on Eagle Waves Radio – a small outlet in the heart of Sydney – alongside my co-writers Jane Caro and Simon Smart. We were interviewed…

America happy to share raw intel with fellow occupier Israel

A killer story (and yet more evidence that the revelations from Edward Snowden are undeniably in the public interest). This is by Glenn Greenwald, Laura Poitras and Ewen MacAskill in The Guardian: The National Security Agency routinely shares raw intelligence data withIsrael… without first sifting it to remove information about US citizens,… a top-secret document provided to…

Where to now for the Australian Left?

My following column appears in the Guardian today: Treating voters with contempt is the perfect way for the left to guarantee itself permanent exile from the political scene. On election night, Melbourne writer Catherine Deveny… tweeted: “This is win for racists, morons, homophobes, fuckheads, jumped up bogans, misogynists, billionaires, haters, comedians.” Such sentiments might momentarily make…

What price for real security? Melbourne Writer's Festival on Profits of Doom

Today, on 11 September, ABC1 and ABC Big Ideas… screens the following… (and I discuss my recent book Profits of Doom): Personal, economic, geopolitical security – this is the panel discussion from the… Melbourne Writers Festival. Who gets to make the decisions in these arenas? And why are we so damned anxious and insecure in this continuing period…

Refugee Art Project resists demonisation of refugees

With the weekend election of Tony Abbott as Prime Minister of Australia, we’re in for even rougher years of treating asylum seekers with cruelty and contempt. The Refugee Art Project challenges this trend, offering a voice and space for refugees to be creative while behind the razor wire. This new film, by Daz Chandler, movingly…

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