Best-selling journalist Antony Loewenstein trav­els across Afghanistan, Pakistan, Haiti, Papua New Guinea, the United States, Britain, Greece, and Australia to witness the reality of disaster capitalism. He discovers how companies such as G4S, Serco, and Halliburton cash in on or­ganized misery in a hidden world of privatized detention centers, militarized private security, aid profiteering, and destructive mining.

Disaster has become big business. Talking to immigrants stuck in limbo in Britain or visiting immigration centers in America, Loewenstein maps the secret networks formed to help cor­porations bleed what profits they can from economic crisis. He debates with Western contractors in Afghanistan, meets the locals in post-earthquake Haiti, and in Greece finds a country at the mercy of vulture profiteers. In Papua New Guinea, he sees a local commu­nity forced to rebel against predatory resource companies and NGOs.

What emerges through Loewenstein’s re­porting is a dark history of multinational corpo­rations that, with the aid of media and political elites, have grown more powerful than national governments. In the twenty-first century, the vulnerable have become the world’s most valu­able commodity. Disaster Capitalism is published by Verso in 2015 and in paperback in January 2017.

Profits_of_doom_cover_350Vulture capitalism has seen the corporation become more powerful than the state, and yet its work is often done by stealth, supported by political and media elites. The result is privatised wars and outsourced detention centres, mining companies pillaging precious land in developing countries and struggling nations invaded by NGOs and the corporate dollar. Best-selling journalist Antony Loewenstein travels to Afghanistan, Pakistan, Haiti, Papua New Guinea and across Australia to witness the reality of this largely hidden world of privatised detention centres, outsourced aid, destructive resource wars and militarized private security. Who is involved and why? Can it be stopped? What are the alternatives in a globalised world? Profits of Doom, published in 2013 and released in an updated edition in 2014, challenges the fundamentals of our unsustainable way of life and the money-making imperatives driving it. It is released in an updated edition in 2014.
forgodssakecover Four Australian thinkers come together to ask and answer the big questions, such as: What is the nature of the universe? Doesn't religion cause most of the conflict in the world? And Where do we find hope?   We are introduced to different belief systems – Judaism, Christianity, Islam – and to the argument that atheism, like organised religion, has its own compelling logic. And we gain insight into the life events that led each author to their current position.   Jane Caro flirted briefly with spiritual belief, inspired by 19th century literary heroines such as Elizabeth Gaskell and the Bronte sisters. Antony Loewenstein is proudly culturally, yet unconventionally, Jewish. Simon Smart is firmly and resolutely a Christian, but one who has had some of his most profound spiritual moments while surfing. Rachel Woodlock grew up in the alternative embrace of Baha'i belief but became entranced by its older parent religion, Islam.   Provocative, informative and passionately argued, For God's Sakepublished in 2013, encourages us to accept religious differences, but to also challenge more vigorously the beliefs that create discord.  
After Zionism, published in 2012 and 2013 with co-editor Ahmed Moor, brings together some of the world s leading thinkers on the Middle East question to dissect the century-long conflict between Zionism and the Palestinians, and to explore possible forms of a one-state solution. Time has run out for the two-state solution because of the unending and permanent Jewish colonization of Palestinian land. Although deep mistrust exists on both sides of the conflict, growing numbers of Palestinians and Israelis, Jews and Arabs are working together to forge a different, unified future. Progressive and realist ideas are at last gaining a foothold in the discourse, while those influenced by the colonial era have been discredited or abandoned. Whatever the political solution may be, Palestinian and Israeli lives are intertwined, enmeshed, irrevocably. This daring and timely collection includes essays by Omar Barghouti, Jonathan Cook, Joseph Dana, Jeremiah Haber, Jeff Halper, Ghada Karmi, Antony Loewenstein, Saree Makdisi, John Mearsheimer, Ahmed Moor, Ilan Pappe, Sara Roy and Phil Weiss.
The 2008 financial crisis opened the door for a bold, progressive social movement. But despite widespread revulsion at economic inequity and political opportunism, after the crash very little has changed. Has the Left failed? What agenda should progressives pursue? And what alternatives do they dare to imagine? Left Turn, published by Melbourne University Press in 2012 and co-edited with Jeff Sparrow, is aimed at the many Australians disillusioned with the political process. It includes passionate and challenging contributions by a diverse range of writers, thinkers and politicians, from Larissa Berendht and Christos Tsiolkas to Guy Rundle and Lee Rhiannon. These essays offer perspectives largely excluded from the mainstream. They offer possibilities for resistance and for a renewed struggle for change.
The Blogging Revolution, released by Melbourne University Press in 2008, is a colourful and revelatory account of bloggers around the globe why live and write under repressive regimes - many of them risking their lives in doing so. Antony Loewenstein's travels take him to private parties in Iran and Egypt, internet cafes in Saudi Arabia and Damascus, to the homes of Cuban dissidents and into newspaper offices in Beijing, where he discovers the ways in which the internet is threatening the ruld of governments. Through first-hand investigations, he reveals the complicity of Western multinationals in assisting the restriction of information in these countries and how bloggers are leading the charge for change. The blogging revolution is a superb examination about the nature of repression in the twenty-first century and the power of brave individuals to overcome it. It was released in an updated edition in 2011, post the Arab revolutions, and an updated Indian print version in 2011.
The best-selling book on the Israel/Palestine conflict, My Israel Question - on Jewish identity, the Zionist lobby, reporting from Palestine and future Middle East directions - was released by Melbourne University Press in 2006. A new, updated edition was released in 2007 (and reprinted again in 2008). The book was short-listed for the 2007 NSW Premier's Literary Award. Another fully updated, third edition was published in 2009. It was released in all e-book formats in 2011. An updated and translated edition was published in Arabic in 2012.

My notes for launching Omar Musa’s new book Here Come the Dogs

Last night in Sydney I was honoured to launch my friend Omar Musa’s first book, Here Come the Dogs, released publicly now. Today it received a wonderful review in The Guardian.

Here are my launch notes:


–       Met Omar in 2009 in Ubud, Bali, at the Ubud Literary Festival. He was funny, brash and cheeky. His spoken word poetry was rude, crude, witty, humorous, moving and different to so much of what claimed to speak for Australia. This was an authentic voice that wasn’t white, how bloody rare is that in our bland press?, and he demanded to be heard in the mainstream. His new book signals he’s not content waiting to be asked. He’s arrived with a bang and lashings of the word “cunt”. From the first page.

–       His great poem, My Generation, is a work I constantly return to, with lines like this:

“My generation
took solace in
false prophets who promised change
and did more of the same,
whose ideologies of optimism
were turned into
fridge magnets and bumper stickers-

The false dawn of Barack Obama still resonates today.

–        Here Come The Dogs is an Australia we rarely see or hear. It’s tough, edgy, masculine, multiracial, uncompromising, not beach obsessed, not polite, full of fucks and the youth. It roams around a country that we all know exists. Tony Abbott would not approve. His daughters, all dressed in white, virginal dresses on election night last year, would be appalled. It’s even more reason to love this book.

–        Knowing Omar for more than five years, he’s often choosing between poetry, hip-hop, writer and playwright. We can now add author to this list. Here Come The Dogs has a rhythm that’s hypnotic, exposing an Australia that is ashamed of our past, questioning of our present and not overly optimistic about our future. Reading the book I found myself wondering why we don’t hear these perspectives more often. Blame the media. Blame the old editors. Blame the unadventurous. The Pacific point of view is almost invisible in Australian media.  The loser is mocked not understood. The petty criminal is fodder for a Daily Telegraph cover. Omar injects humanity around all his characters but he doesn’t shy away from sometimes stomping on their hearts and dreams.

–        This book makes me proud to be Australian because it doesn’t give a fuck about manners, and encourages eating our food with fingers and not a knife and fork. Napkins aren’t provided. It’s raw and all the better for it.

–        This is an angry but tender book. Men dominate. Flames lick around all the characters. Uncertainty is in the air. Confidence is something to be mocked.

–        I’m honoured to call Omar a friend and we’ve spent hours, in Australia, Indonesia and India, debating politics, the world and the finer points of Barry Obama’s foreign policy. Thank you for asking me to help launch your first book. The first of many, and I know you’re already planning the next one. May you offend every more people with it, a sign in my world that you’re achieving your aims.

–        I encourage everybody to buy at least 5 copies of the book, for friends, enemies and lovers. It’s written in a language that soars. May it provoke concern in North Shore wives, excitement in inner-city kids, fear in private schools and trembling at the censorship board.

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