I often write about the embedded mindset of many in the mainstream media. It’s a curse but a way for many journalists to stay close to power. Both parties are well served.
John Pilger, whose new film is The War You Don’t See, writes that establishment networks such as the BBC are often no better than commercial rivals:
The apogee was the victorious entry into Baghdad, and the TV pictures of crowds cheering the felling of a statue of Saddam Hussein. Behind this façade, an American Psyops team successfully manipulated what an ignored US army report describes as a “media circus [with] almost as many reporters as Iraqis.” Rageh Omaar, who was there for the BBC, reported on the main evening news: “People have come out welcoming [the Americans], holding up V-signs. This is an image taking place across the whole of the Iraqi capital.” In fact, across most of Iraq, largely unreported, the bloody conquest and destruction of a whole society was well under way.
In The War You Don’t See, Omaar speaks with admirable frankness. “I didn’t really do my job properly,” he says. “I’d hold my hand up and say that one didn’t press the most uncomfortable buttons hard enough.” He describes how British military propaganda successfully manipulated coverage of the fall of Basra, which BBC News 24 reported as having fallen “17 times.” This coverage, he says, was “a giant echo chamber.”